Working in the field: ASBA’s new code of ethics for botanical artists

My copy of The Botanical Artist, the American Society of Botanical Artists’ journal, arrived last week. There was a brief notice about the society’s new Code of Ethics for artists working in the field. Artists are encouraged to output and sign the document, then carry it with them in the field as a sort of diplomatic letter of passage for working in ecologically protected areas.

The 7 major principles for botanical artists working in the field are:

  • Follow all rules and regulations when working in a botanical garden or conservation area, and obey any instructions given by staff or officials while on working on site.
  • Do not dig up or disturb any plant on site, for any reason, unless given explicit permission by the land owner or staff/officials of the conservation area/garden in order to dissect or identify the plant.
  • Minimize disturbance to the habitat and ecosystem of the area. Walk carefully; place tripods, stools and other tools with care. Avoid damaging soils, other plants, seedlings.
  • Minimize disturbance in the vicinity of the plant. Create a minimal work footprint to avoid damaging any other species or specimens.
  • Inform the landowner or your contact for the site if you observe any disturbances to the natural environment while working.
  • Do not reveal the location of protected areas to other people. Refer them to the person or organization who granted you permission/guided you to the site.
  • These principles hold not only for working with native plants in their natural sites, but for all plant life in all locations.

All very common sense, right?

All of this is the kind of stuff you learn as a kid camping with the Scouts, or your first hikes with your family and friends. Why do these concepts require enunciation and publicizing to a group of people who ought to already be aware of the basics of conservation and outdoor activities?

Of course, we now live in a world where “nature deficit disorder” afflicts an increasing number of children, and where an increasing number of young adults are worried and concerned about “the environment,” yet very few of them have actually spent any time outdoors enjoying nature.

Perhaps it speaks to the number of people who are drawn to botanical art as urban and suburban garden and art lovers, but who have little background in outdoor pursuits.

This year I’d like to devote a few posts to minimizing your impact while hiking and painting in the outdoors. Unfortunately, there will also be examples of idiots who flagrantly destroy the natural environment in their pursuit of outdoor enjoyment. Look for the category “Leave No Trace” and tag, “Outdoor etiquette” to read more about how you can enjoy plein-air painting on public lands while treading lightly!

ASBA’s Core Values page and the society’s Code of Ethics for fieldwork can be found at the ASBA website.

Weird, wild and wonderful: A botanical art exhibit deadline

Photo of Houston's corpse flower, Lois, budding in 2010.

Now that corpse flowers are a popular exhibit at natural science museums and botanical gardens, artists have an easier opportunity to depict this weird, wild and wonderful plant.

The Second New York Botanical Garden Triennial is seeking submissions that are “Weird, Wild and Wonderful.” The submission deadline is Friday, September 13, 2013. Entry is open to all American Society of Botanical Artists of good standing, world-wide.

The subject matter depicted must be plants that are unusual, odd or exotic in some way. Even plants that can be easily found in your own backyard or nearby park can qualify. Unique methods of propagation, unexpected colors, strange survival mechanisms: almost any interesting detail can qualify. Obviously, carnivorous plants are an option, but there are so many more oddities in the plant world you can explore for this juried exhibit.

The ASBA website has complete details and a PDF entry form for download.

Wrenaissance Art is now an Amazon Affiliate site!

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