Day 11 of #the100day project

A watercolor and pastel pencil drawing of a dried coneflower head, using muddy pinks, greens and dark sepia.
Playing catch-up by painting this coneflower in addition to what I’d planned to sketch today. Copyright 2025, Wren Allen

I spent a little time this AM thinking about what exact parameters I wanted to set for myself on the 100-Day Project. They are:

  1. One hour and/or 1 page per day. (Whichever comes first. Unless I have more time or energy to spend on a given day—or less. As long as the page or image appears complete in itself by the end of the session.)
  2. Work observationally.
  3. Use untried materials I already own (i.e., stash-busting), or use accustomed materials in new ways.

I have a coneflower plant in my workspace that I failed to plant in the garden last summer. In late November it sent up a flower bud which bloomed, then dried. When I’m in coworking sessions, I usually set up the tablet camera so that this dead flower is the image onscreen (a little macabre?). Because the lighting angle is different onscreen than my real-life view of it, I decided to paint the virtual view, rather than the actual, backlit angle. Kind of meta.

Portrait of the artist, with limited black and earth tone palette in watercolor, very loose style.
There’s always a funny expression when you paint your self-portrait! Here, my lips are pursed while concentrating on the rendering. Copyright 2025, Wren Allen.

But the coneflower was just an extra page done as catch-up for skipping last Friday. Today’s main project was making a self-portrait sketch. I used a hand mirror stuck in my pencil carousel for reference, and began painting in basic shapes using quin gold and a mix of indigo & sepia with white gouache. No pencil outline, just straight to paint. Then I added minal amounts of shading and shaping in more earth tones, followed by some defining indigo/sepia black marks for the eyes and glasses.

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